The swipes, of course are all part of the fun, especially with Morrissey switching from assured iconic “older” Latino balladeer to excoriating madman in seconds. A couple of mariachi power-poppers later – the quite excellent “Kiss Me a Lot,” which sounds not unlike the Jags covering Love’s Forever Changes (a good thing) – and we’re into what lesser writers might call “the dark heart” of the album. [Source]
New Music United 