newmusicunited.com№ NMU 261012
A knight in chain mail holds a long-haired woman who leans her head against his chest, both with their eyes lowered, in a photograph staged by Julia Margaret Cameron in 1874

Fontaines D.C.

blog single
Cameron, 1874
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Where Is
Gone?

№ NMU 261012 · blog singlerel. October 12, 2026 · a/w October 12, 20265 min 16 s · stereo · XL
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The third and last single before Dopamine Chamber, and the first time Fontaines D.C. have let a guest singer onto one of their records: ROSALÍA. A slow-burning ballad under sweeping strings, with Grian Chatten low and ROSALÍA above him, trading verses about a love that is slipping away and meeting in the chorus. For Carlos O’Connell, who has been reconnecting with his Spanish roots, she keeps a Spanish tradition alive the way the band try to with Irish music.

Fontaines D.C.: Grian Chatten, Carlos O’Connell, Conor Curley, Conor Deegan III, Tom Coll; with ROSALÍA. Produced by James Ford. From Dopamine Chamber, XL Recordings, October 16, 2026. Photograph: Julia Margaret Cameron, The Parting of Sir Lancelot and Queen Guinevere, 1874, albumen print from a collodion glass negative, made for Tennyson’s Idylls of the King. Musée d’Orsay, Paris.

№
NMU 261012
artist
Fontaines D.C.
title
Where Is Gone?
with
ROSALÍA
from
Dopamine Chamber (2026)
band
Grian Chatten, Carlos O’Connell, Conor Curley, Conor Deegan III, Tom Coll
producer
James Ford
label
XL
photograph
Julia Margaret Cameron, The Parting of Sir Lancelot and Queen Guinevere, 1874. Musée d’Orsay.
listen
fontainesdc.x-l.co/whereisgone
filed
October 12, 2026
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