The rock journalist Lester Bangs wrote in 1979 that the song “is the album’s whirlpool. Possibly one of the most compassionate pieces of music ever made, it asks us, no, arranges that we see the plight of what I’ll be brutal and call a lovelorn drag queen with such intense empathy that when the singer hurts him, we do too.” Bangs also remarks that “Morrison has said in at least one interview that the song has nothing to do with any kind of transvestite – at least as far as he knows, he is quick to add – but that’s bullshit.”
