The searing falsetto of “She’s the One” makes for one of Harper’s most intense and moving recordings as manic guitar-strumming accompanies his scornful upbraiding of an acquaintance for his self-pitying insensitivity to a “wonderful wife” whom the singer sees and apparently loves as “a very beautiful young woman”. Like “McGoohan’s Blues”, this track seems to butt-join two related but distinct songs on the album.