The b-side ‘Philip Glass’ suggests where the composers were taking some of their inspiration at this time. It is a synth exploration of the minimal, trance like beauty of the famous composer’s work, segued back into a reprise of the a-side. This record is a glimpse into electronic studio music in the UK in the time before techno changed everything. [Source]
[Handpicked by Tim Paris – dedicated to Martha Podell]
New Music United 