Here’s the Official music video for “Suck it and see” from the album of the same name. New single released on 31st of October 2011.
[via Mikael Simpson]
Directed by Tarik Saleh is among those who can walk away with the price of Scandinavia’s best music video for her video for Lykke Li’s “Sadness Is A Blessing”. [Source]
Here’s a fabulous 45 pairing like minded spirits, Detroit’s Fuxa sharing wax with former Suicide legend Martin Rev! Not only that but this one’s on glorious multicoloured, ‘splatter’ wax and it comes housed in an Anthony Ausgang designed sleeve. Fuxa’s Randall Niemann has been creating spaced out, psychedelic electronica for nigh on 15 years now, on this tune “Marty Suicide” he’s joined by former Spacemen 3 and Spectrum members Mark Refoy and Richard Formby, on a tune penned as an ode to his heron on the flip. Martin Rev’s “Coyote” is a totally beautiful, almost angelic, electronic piece- think Florian Fricke’s from the heavens, vocal choir synth sound from “Aguirre”, sped up slightly with added Moog washes…?! [Source]
[Dedicated to P.G. Frandsen]
From the 1995 album Cheyenne and also released in 2011 as a b-side to a split 7″ vinyl single with Fuxa from Detroit.
The final track on The Beatles’ 1967 album Sgt. Pepper’s Lonely Hearts Club Band. Credited to Lennon/McCartney, the song comprises distinct segments written independently by John Lennon and Paul McCartney, with orchestral additions. While Lennon’s lyrics were inspired by contemporary newspaper articles, McCartney’s were reminiscent of his youth. The decisions to link sections of the song with orchestral crescendos and to end the song with a sustained piano chord were made only after the rest of the song had been recorded. The supposed drug reference in the line “I’d love to turn you on” resulted in the song initially being banned from broadcast by the BBC. It was arranged for the orchestral session to be filmed by NEMS Enterprises for use in a planned television special. The film was never released in its entirety, although portions of it can be seen in the “A Day in the Life” promotional film, which includes shots of studio guests Mick Jagger, Marianne Faithfull, Keith Richards, Donovan, Pattie Boyd and Michael Nesmith. Reflecting the Beatles’ taste for experimentation and the avant garde at this point in their careers, the orchestra players were asked to wear or were given a costume piece on top of their formal dress. This resulted in different players wearing anything from fake noses to fake stick-on nipples. George Martin recalled that the lead violinist performed wearing a gorilla paw, while a bassoon player placed a balloon on the end of his instrument. In April 1967, McCartney played a tape of the song to Brian Wilson of The Beach Boys, in Los Angeles. The song deeply affected Wilson, who was suffering growing emotional problems. Soon after, Wilson abandoned his work on the Beach Boys’ album Smile, and would not return to complete it until 2003. Van Dyke Parks later said, “Brian had a nervous collapse. What broke his heart was Sgt. Pepper.”
[via Bo Hr. Hansen]
While all are applauding Mick Jagger, AR Rahman and the rest of the SuperHeavy team—Joss Stone, Dave Stewart and Damian Marley—for “Satyameva Jayate,” not many have taken note of the lyricist behind the song—Raqueeb Alam. The talented writer has collaborated with Oscar-winning AR Rahman several times in the past, too, including on “Ringa Ringa” from Slumdog Millionaire as well as other compositions including Ada, Blue and Connections. [Source]
Based in Newcastle, Lanterns On The Lake won admiring glances with their opening two EPs. Beautifully orchestrated, the seven piece group managed to work together in a rare display of unity. [Source]
[Dedicated to Martin Holm nee Jensen – via Christian Staalby]