Cover version of the Neil Young song recorded at Easy Street Records on April 21, 2012.

Cover version of the Neil Young song recorded at Easy Street Records on April 21, 2012.

When Jonathan Richman set out to record songs for his 5th studio album for Vapor Records, the road led him as far flung as Spain and South America. Yet, it was home cooking in San Francisco, California that yielded the recordings that would become O Moon, Queen of Night on Earth. Featuring Jonathan’s longtime collaborator Tommy Larkins on drums, the album reveals a shift in direction for Richman. As the title suggests, this outing finds Richman looking up to the lonely night sky during the wee small hours – when time slows down and everything is as melancholy as it is beautiful. The album artwork acts in kind, with Richman s own paintings suggesting a veil of muted moonlight. Through his songs, Richman invites the listener down this dim and starry path. A sense of saudade-like longing and wise acceptance informs The Sea Was Calling Me Home and It Was Time For Me To Be With Her, yet Jonathan s smart and wry delivery on My Affected Accent and If You Want To Leave Our Party Just Go will still bring a smile. Contributions from guest musicians such as Ólöf Arnalds, Nicole Montalbano, Roger Montalbano, Kelly Houston, and Ted Saverese also add a warm glow to the album s very personal feel. With O Moon, Queen of Night on Earth, Jonathan Richman again shows himself to be an evolving artist whose ears are wide open to the language of the world. [Source]
Robin Lane grew up in Los Angeles. Her father was Ken Lane, songwriter and pianist for Dean Martin; her mother was a model. While in her teens, Robin began singing and performing in folk-rock clubs in southern California. From 1968 to 1970 she was married to future Police lead guitarist Andy Summers. In 1969, she sang backing vocals on the song “Round & Round” on Neil Young’s album Everybody Knows This Is Nowhere. In the 1970s, Lane moved to eastern Pennsylvania and then to Cambridge, Massachusetts, where her musical interests turned from folk-rock to a harder sound influenced by the growing punk rock and New Wave genres. In 1978, Lane formed the Chartbusters with Asa Brebner and Leroy Radcliffe (of The Modern Lovers), Scott Baerenwald and Tim Jackson. She had signed with Private Stock Records, which shortly afterward went out of business. After Jerry Wexler saw a Chartbusters show, however, he signed the band to Warner Brothers. Their first album, Robin Lane & the Chartbusters (1980) featured the singles “When Things Go Wrong” and “Why Do You Tell Lies?”, earned favorable reviews, and received widespread airplay; the music video for “When Things Go Wrong” was the 11th song shown on MTV’s first American broadcast day, August 1, 1981. The band had two more releases on Warner, the EP “5 Live” (1980) and “Imitation Life” (1981). The limited commercial success of these records, combined with business disputes and Lane’s desire to have a child, led to the breakup of the Chartbusters in 1983.
Front man Husky Gawenda and keyboard player Gideon Preiss are cousins who grew up together and discovered their love of music, together. Though the four band members have disparate tastes, their shared passion for classic sounds, rich harmonies, and artful songwriting points back to the artists they grew up on: Crosby Stills & Nash, Bob Dylan, the Doors, Neil Young, Leonard Cohen, the Beach Boys. Yet while Gideon took easily to the life of the performing musician, playing in myriad bands throughout his teenage years, Gawenda, who spent years writing songs alone in his bedroom, shied away from the spotlight. “I was actually terrified of performing,” he admits. “It took a lot of will power to start singing my own songs in front of anybody, but I was determined to do it, because I always had the dream of playing music as my way of life.” [Source]
Written in the 1800s based on an old Negro spiritual, this song refers to the second coming of Jesus, and “she” is the chariot Jesus is coming on. Some interpret this as the end of the world. Others have said that “she” refers to union organizer Mary Harris “Mother” Jones going to promote formation of labor unions in the Appalachian coal-mining camps. The Americana arrangement continues the folk process with a new melody, a new title and a combination of lyric sources. [Source]
[via Chris McGovern on Google+]
“Down by the River” is a song composed by Neil Young. It was first released on his 1969 album with Crazy Horse, Everybody Knows This Is Nowhere. Young explained the context of story when introducing it in New Orleans on September 27, 1984. It depicts a man who catches his woman cheating on him, then meets her down by the river and shoots her. A few hours later the sheriff comes to his house and arrests him. In the liner notes of his 1977 anthology album Decade, Young states that he wrote “Down by the River” and “Cowgirl in the Sand” while delirious in bed in Topanga Canyon with a 103 °F (39 °C) fever.
Read Guy Garvey’s notes about the song here.
The Bridge: A Tribute To Neil Young is a 1989 anthology album that features a variety of alternative rock bands covering songs written by Neil Young. A portion of the profits from the album were donated to The Bridge School, which develops and uses advanced technologies to aid in the instruction of handicapped children. It was released on Caroline Records and conceived by executive producer Terry Tolkin.
You know when you visit YouTube to watch a certain video, then end up watching another, and another, and another? Well here’s a video that is more likely to be stumbled upon rather than searched for. The video, which hit the website about a month ago, features Crosby, Stills, Nash, and Young doing “Long Time Gone” with Tom Jones on lead vocals during an episode of his variety show in October 1969. [Source]
[via Niels Fez Pedersen]
Most (if not all) of you reading this know a thing or two about the names Phil Spector and Neil Young. But I would wager that the immediate name recognition of Jack Nitzsche, a pivotal force in behind both artists, ranks much lower. Studio wizard/producer, arranger and songwriter, Nitzsche released his own sort of ‘surf’ album in 1963—yet one that was a far cry from the surf rock coming out of a.m. radio at the time. Jan & Dean this is not. [Source]
[via Børge Igor Brandt]