David Bowie with Klaus Nomi and Joey Arias – Boys Keep Swinging (Saturday Night Live 1979)

David Bowie heard about Klaus Nomi’s performances in New York and soon met him and Joey Arias at the Mudd Club. Bowie hired them as performers and backup singers for his appearance on Saturday Night Live which aired on December 15, 1979. The band performed “TVC 15″, “The Man Who Sold the World”, and “Boys Keep Swinging”. During the performance of “TVC 15″, Nomi and Arias dragged around a large prop pink poodle with a television screen in its mouth. Nomi was so impressed with the plastic quasi-tuxedo suit that Bowie wore during “The Man Who Sold the World” that he commissioned one to be made for himself. Nomi can be seen wearing the suit on the cover of his self-titled album, as well as during a number of his music videos. Nomi wore his variant of the outfit, in monochromatic black-and-white with spandex and makeup to match, until the last few months of his life. Then, mostly focusing on operatic pieces and increasingly ill with AIDS-related illnesses, including Kaposi’s sarcoma, he wore a Baroque era operatic outfit complete with full collar.




David Bowie with Klaus Nomi and Joey Arias – The Man Who Sold The World (Saturday Night Live 1979)

David Bowie heard about Klaus Nomi’s performances in New York and soon met him and Joey Arias at the Mudd Club. Bowie hired them as performers and backup singers for his appearance on Saturday Night Live which aired on December 15, 1979. The band performed “TVC 15″, “The Man Who Sold the World”, and “Boys Keep Swinging”. During the performance of “TVC 15″, Nomi and Arias dragged around a large prop pink poodle with a television screen in its mouth. Nomi was so impressed with the plastic quasi-tuxedo suit that Bowie wore during “The Man Who Sold the World” that he commissioned one to be made for himself. Nomi can be seen wearing the suit on the cover of his self-titled album, as well as during a number of his music videos. Nomi wore his variant of the outfit, in monochromatic black-and-white with spandex and makeup to match, until the last few months of his life. Then, mostly focusing on operatic pieces and increasingly ill with AIDS-related illnesses, including Kaposi’s sarcoma, he wore a Baroque era operatic outfit complete with full collar.



David Bowie with Klaus Nomi and Joey Arias – TVC 15 (Saturday Night Live 1979)

David Bowie heard about Klaus Nomi’s performances in New York and soon met him and Joey Arias at the Mudd Club. Bowie hired them as performers and backup singers for his appearance on Saturday Night Live which aired on December 15, 1979. The band performed “TVC 15″, “The Man Who Sold the World”, and “Boys Keep Swinging”. During the performance of “TVC 15″, Nomi and Arias dragged around a large prop pink poodle with a television screen in its mouth. Nomi was so impressed with the plastic quasi-tuxedo suit that Bowie wore during “The Man Who Sold the World” that he commissioned one to be made for himself. Nomi can be seen wearing the suit on the cover of his self-titled album, as well as during a number of his music videos. Nomi wore his variant of the outfit, in monochromatic black-and-white with spandex and makeup to match, until the last few months of his life. Then, mostly focusing on operatic pieces and increasingly ill with AIDS-related illnesses, including Kaposi’s sarcoma, he wore a Baroque era operatic outfit complete with full collar. [Please note: there is a slight hiccup in the beginning of the video, but don't worry you are in for a special treat!, ed.]




Klaus Nomi – You Don’t Own Me (1981)

According to Wikipedia, Rush Limbaugh plays this song during the gay news segment of his show probably because of Nomi’s thick German accent and he sings “Don’t tell me I can’t play with other boys.” As long as you don’t mind mind these sort of flamboyant songs, this can be a remarkably enjoyable experience for you! The original melody was catchy (I’m sure you’ve heard it before) and the instrumentation is crisp and sparkly. Nomi’s performance was probably not flamboyantly gay on purpose… he’s just doing some playful acting with his operatic voice. (OK, the end of the song sounds ridiculously gay… holy moly…) This is a real blast, though! [Source]



Klaus Nomi – Total Eclipse (1982)

Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, New Wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Magazine, The Go-Go’s, The Fleshtones, Joan Jett and the Blackhearts, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen, The Police and Klaus Nomi. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their single public outing.



Klaus Nomi – The Cold Song (1982)

An operatic song based on a progression from 17th Century composer Henry Purcell with synthesizers. The instrumentation is an array of nicely chosen synthesizers, but I can assume that they’re played the same way that the Baroque instruments would’ve done them. Anyway, this is positively haunting and mesmerizing. Nomi delivers his operatic lines with grace! [Source]

The different outfit, the careful steps, the clammy skin, the slight sheen of sweat, eyes welling up, shortness of breath and carefully going down the stairs. Klaus Nomi performed this version of “The Cold Song” from Purcell’s King Arthur in 1982 then passed away 6 months later in 1983. [Source]