Cuushe – Do You Know The Way To Sleep (2012)

There is something quite ultimate about Mayuko Hitotsuyanagi and the music she makes as Cuushe. Like Taffy, she’s come up with a honed, focused take on her specialist genre, as though she’s been studying it for years and has now perfected it. This is perhaps why the responses to it so far have been so over-the-top – ironic given the calm, still nature of the performances – from bloggers eager to conjure new ways to capture sepulchral rapture, blown away by the diaphanous dreaminess of it all. Dreaminess and dreams are key to Cuushe. Her new EP is entitled Girl You Know That I Am Here But the Dream and it is a virtual concept record about the dream state and what happens when we sleep. Titles include Do You Know the Way to Sleep, Summer Night Sketch, I Dreamt About Silence, 9125 Days of Sleep Waves and Dust of Dreams. The tracks have been produced and remixed by a variety of artists from the aforementioned Holter, who knows a thing or two about how to communicate the creepy tranquillity of silence, to other favourites of this column such as Teen Daze, whose work confirms the profound and far-reaching influence of the 4AD label in general and Cocteau Twins in particular, but also of the succinct snappiness of 80s synthpop. [Source]









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Hugo Race Fatalists – Dopefiends (2012)

Hugo Race Fatalists is the collaboration between Australian singer songwriter producer Hugo Race and the Italian instrumental band Sacri Cuori. Beautiful, brutal, primitive and transcendent, the new album from Hugo Race and his Fatalist collaborators Antonio Gramentieri and Diego Sapignoli is both dark and uplifting. Acoustic instruments and subtle electronica fused with Race’s deep voice and songwriting trace the scars of experience and sacrifice, set against unique soundscapes merging folk, experimentalism, electronica and rock. Hugo Race Fatalists are joined by violinists Vicki Brown and Catherine Graindorge, synthesist Franco Naddei and contrabassist Francesco Giampaoli. Hugo Race is an internationally acclaimed Australian singer, songwriter and producer. [Source]




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Abwärts – Computerstaat (1980)

Abwärts (“Downwards”) is a West German post-punk group from Hamburg. Members Mark Chung and FM Einheit would leave the group in the early 1980s to join the Berlin-based band Einstürzende Neubauten. Their best-known recordings include the single “Computerstaat” (“Computer State”) (1980) and the LP’s Amok Koma (1981) and Der Westen ist Einsam (“The West Is Lonely”) (1982), the latter in particular being regarded as a classic of West German post-punk. The group is profiled along with other contemporaries in Jürgen Teipel’s 2001 documentary novel Verschwende Deine Jugend.




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Cuushe – I Love You (2013)

After releasing an EP of dreamy and ethereal bedroom vibes last year, Berlin-by-way-of-Kyoto’s CuusHe is ready to spread her wings into more dynamic grooves. She does just that on her latest single titled “I Love You.” As it opens, the tune slowly simmers with bubbling disco synths and a tight, bouncing beat. CuusHe’s vocals are nearly effervescent as they flow in layer upon layer along the tune’s groove. Then, just over a minute into the tune, it breaks into a steady boil with an upbeat and blissful rhythm as she chants sweetly “I love you” over and over again. It’s hypnotic and irresistible. [Source]





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Live concert in London tonight!

Chuck Prophet – Play That Song Again (2012)

Nobody harneses the distinctive sound of a Fender Telecaster quite like Chuck Prophet and, as the opening chords of ‘Play That Song Again’ ring out with an undeniable twang, Prophet starts Temple Beautiful with a statement of intent from the off. His most focused and concise work in years, Prophet’s twelfth studio album is ultimately an open love letter to San Francisco – filled with gut wrenching guitar licks (‘Castro Halloween’ / ‘Who Shot John’), classic Dylan-esque phrasing (‘Play That Song Again’) and gorgeous analogue production (‘He Came From So Far Away’) – Temple Beautiful harks back to the raw pomp and swagger of 1997′s Homemade Blood and sheds the daliances with synths and samples that have perhaps crowded the past few releases. A return to form, some would say. [Source]



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The National – Demons (2013)

From the album Trouble Will Find Me out May 20(UK)/21(US). Available for pre-order: http://bit.ly/10NQPA1

Illustration and video by Azar Kazimir / Michelberger Hotel

http://www.americanmary.com/

http://www.4ad.com/

Pre-order Trouble Will Find Me from Amazon: http://bit.ly/16IRhoo
Pre-order Trouble Will Find Me from 4AD: http://bit.ly/1504PO1
Pre-order Trouble Will Find Me Deluxe Vinyl Box Set: http://bit.ly/10I7OoA




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Stiff Little Fingers – Alternative Ulster (1978)

Inflammable Material is the 1979 debut album by the Northern Irish punk band Stiff Little Fingers. Most of the album’s tracks are about the “Troubles” and the grim reality of life in Northern Ireland with the songs containing themes of teenage boredom, sectarian violence, police oppression, etc., urging people to “grab it and change it, it’s yours” in what became their signature song “Alternative Ulster”. The song “Rough Trade” is about the band’s view of the music business as being dishonest but have since claimed it is not about the record label which happens to have the same name.




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Andrea Schroeder – Helden (2013)

Andreas Schroeder recorded a cover version of David Bowies ‘Heroes’ at Hansa Studios in November. The new single ‘Helden’ will hit the road very soon – March 15 is digital release at Glitterhouse Records, and additional there will be a limited 7″ vinyl edition! Exciting … :)

‚Helden’
Lyrics and music by Bowie, David / Eno, Brian
Vocals and Harmonium: Andrea Schroeder
Violin: Catherine Graindorge
Guitars: Jesper Lehmkuhl
Bass: Dave Allen
Drums: Chris Hughes
Produced by Chris Eckman
Engineered by David Hefti
Recorded Nov 2012 at Hansa Studios, Berlin
Mixing: Chris Eckman at Studio Zuma
Mastering: Milan Cimfe at Sono Recording Studios

Coming out March 15, 2013 at Glitterhouse Records.

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Tourdates:
27.03.2013 Hamburg Knust
30.03.2013 Meidelstetten Adler
02.04.2013 Köln Studio 672
03.04.2013 Frankfurt Das Bett
04.04.2013 München Milla Club
05.04.2013 Berlin Frannz
09.04.2013 Bonn Pantheon
10.04.2013 Nürnberg Künstlerhaus
12.04.2013 Stuttgart Laboratorium
17.04.2013 Leipzig Moritzbastei
18.04.2013 Hannover Lux

Iggy Pop – The Passenger (1977)

The Berlin S-Bahn, the capital’s much-derided suburban train service was the inspiration for Iggy Pop’s iconic song The Passenger, it emerged this week. Pop spent several years in Berlin during the 1970s after following David Bowie there from the USA, where he had been struggling with drugs. The German woman he spent seven years with, Esther Friedman said this week that The Passenger, one of Pop’s greatest hits, was a “hymn to the Berlin S-Bahn.” She said he went on a trip on the train nearly every day when he was living in what was then West Berlin. “The trips inspired him to write the song, particularly the stretch out to Wannsee,” she told Die Zeit weekly newspaper. And anyone who has taken the long trip on the S1 line to Wannsee might get see it differently if they listen to The Passenger, and its talk of riding through the “city’s backsides.” It might be possible to “See the bright and hollow sky” and the “stars that shine so bright”, as well as the “city asleep at night.” But listening to the song might raise the question of how many drugs Pop was still taking while in Berlin, as the lyrics also speak of the “winding ocean drive”. Wannsee might be a large-ish lake, but an ocean it is not. Bowie released an updated ode to Berlin in January, in his song Where are We Now?, which name-checks a host of his hang-outs when he was there with Pop. [Source]




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