Far Corporation – Stairway To Heaven (1985)

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Far Corporation is a british band created by record producer Frank Farian, who created the bands Boney M. and Milli Vanilli. The name was shortened from “Frank Farian Corporation”, which was originally put together to record a cover of the Paul Simon piece “Mother and Child Reunion” as a charity record and reached the top 10 in several European countries. That group’s lineup included members of Barclay James Harvest, Toto, Boney M and Force Majeure. Far Corporation’s primary claim to fame is their cover of “Stairway to Heaven”. Contrary to public perception, Far Corporation was actually the first group to make the singles charts with this song as Led Zeppelin had never released it as a single. Some of the musicians Farian assembled include vocalist Robin McAuley, drummer Simon Phillips, ex-Saga drummer Curt Cress, and three members of Toto: vocalist Bobby Kimball, keyboardist David Paich, and guitarist Steve Lukather. Far Corporation released its first album Division One in 1985 on IMP/ATCO Records and their cover of “Stairway to Heaven” reached #8 on the UK Singles Chart.Also included on the album was a cover of Free’s “Fire and Water” (their second single). A second album Advantage was completed for a 1987 release, heralded by the new single “One by One”. Both this as well as the second single – a cover of Cockney Rebel’s “Sebastian” – failed to reach the charts, and the album was eventually scrapped. Two of the lost recordings, “Make Believe” and “Big Brother”, surfaced as Bobby Kimball duets on Farian artist Jayne (Collins)’s Ambush in the Night album (1989) and Milli Vanilli’s second album The Moment of Truth (1991). The rest was recycled along a few new recordings on the group’s second release, 1994′s Solitude on MCI-BMG. This time they were joined by former Thin Lizzy guitarist Scott Gorham. Mostly assembled in honour of Farian’s 25 years anniversary as a producer, the album failed to repeat the success of “Stairway to Heaven”.




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[via Tonny Pape]

Abwärts – Computerstaat (1980)

Abwärts (“Downwards”) is a West German post-punk group from Hamburg. Members Mark Chung and FM Einheit would leave the group in the early 1980s to join the Berlin-based band Einstürzende Neubauten. Their best-known recordings include the single “Computerstaat” (“Computer State”) (1980) and the LP’s Amok Koma (1981) and Der Westen ist Einsam (“The West Is Lonely”) (1982), the latter in particular being regarded as a classic of West German post-punk. The group is profiled along with other contemporaries in Jürgen Teipel’s 2001 documentary novel Verschwende Deine Jugend.




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Jon Hassell – Courage (1981)

From the album: DREAM THEORY IN MALAYA Fourth World Music Volume Two (1981). DREAM THEORY IN MALAYA is titled after a paper by visionary anthropologist Kilton Stewart, who in 1935 visited a remarkable highland tribe of Malayan aboriginies, the Senoi, whose happiness and well-being were linked to their morning custom of family dream-telling — where a child’s fearful dream of falling was praised as a gift to learn to fly the next night and where a dream-song or dance was taught to a neighboring tribe to create a common bond beyond differeneces of custom. The Semelai are another tribe not far from the Senoi but who live in the largest swamp area of Malaya. A recorded fragment of their joy-filled watersplash rhythm was re-structured and became the generating force for the composition Malay, as well as providing a thematic guide for the entire recording.




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Roxy Music – Oh Yeah (There’s a Band Playing On the Radio) (1980)

Oh Yeah—also labelled as Oh Yeah (On the Radio) or Oh Yeah (There’s a Band Playing On the Radio) on certain releases—is a hit single by British band Roxy Music. It was taken from their 1980 album Flesh and Blood. It is the second release from the album and hit #5 on the UK Singles Chart, as the previous single “Over You” had also done. This song was followed by the UK Top 20 hit “Same Old Scene”. Bryan Ferry explained to The Mail on Sunday: “In this song I was trying to create a picture of Americana, and long hot summer evenings at drive-in movies. It is wistful and nostalgic, rather like a country record.” The song was backed by the non-LP track “South Downs”, a synth instrumental by Ferry, or by the album tracks “Rain Rain Rain” (in the USA) and “In the Midnight Hour” (in Australia and South Africa). “South Downs” when re-released on the “The Thrill of It All” boxset was accidentally released backwards, but due to the synthetic nature of the string sound, it didn’t sound weird. The original version reappeared on a 3-track CD single with “Jealous Guy” and “Lover”.




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Test Dept. – Compulsion (1983)

Test Dept were an industrial music group from London, one of the most important and influential early industrial music acts. Their approach was marked by a strong commitment to radical socialist politics. The group formed in the London suburb of New Cross in 1981. The core members of the group were Angus Farquhar, Graham Cunnington, Paul Jamrozy, Paul Hines and Toby Burdon. Other members who played with the group at various times included Alistair Adams, Neil Starr, John Eacott, Tony Cudlip, David Coulter, Gus Ferguson and Martin King. Comedian Vic Reeves also played bass in an early incarnation of the band. The slides and film for their multi-media events were the work of their visual director Brett Turnbull. Their discography spans a wide variety of influences and styles, including a collaboration with the South Wales Striking Miners Choir in support of the miners’ strike of 1984. They were particularly notable for complex and powerful percussion, as well as high-energy live performances. Like the German band Einstürzende Neubauten, with whom they are often compared, Test Dept used unconventional instruments such as scrap metal and industrial machinery as sound sources; however, Test Dept’s use of these objects was far more rhythmic than was Neubauten’s, and was often accompanied by film and slide shows. The group were noted for large-scale events in unusual site-specific locations, such as Waterloo station, Cannon Street station, Stirling Castle and the disused St Rollox Railway Works in Glasgow.

The first TD vinyl release, recorded in mobile studio under Metropolitan Wharf, Wapping, London.
Compulsion (Machine Run) produced by Flood / Trigger / Test Dept
Pulsations (Human Run) produced by Richard Kirk / Steven Mallinder / Test Dept
Engineered by Paul Hardiman. Design and artwork Alan Fish. Photography Chris Barclay.




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UB40 – Burden Of Shame (1980)

Signing Off is the debut album by British reggae band UB40, released in the UK on 29 August 1980 by Dudley-based independent label Graduate Records. It was an immediate success in their home country, reaching number 2 on the UK albums chart, and made UB40 the most popular reggae band in Britain, several years before the band found international fame. The politically-concerned lyrics struck a chord in a country with widespread public concerns about high unemployment, the policies of the recently elected Conservative Party under Margaret Thatcher, and the rise of the racist National Front party, while the record’s dub-influenced rhythms reflected the late 1970s influence in British pop music of West Indian music introduced by immigrants from the Caribbean after the Second World War, particularly reggae and ska – this was typified by the 2 Tone movement, at that point at the height of its success and led by fellow West Midlands act The Specials, with whom UB40 drew comparisons due to their multiracial band line-up and socialist views. “Burden of Shame” recounted the misdeeds performed in the name of British Imperialism.




UB40 signing off album cover

[via Tricky]

Guelewar – Wollou (1980)

I post today a gift from Jammagica blog, the second album from the Guelewar from Gambia. A band which plays afro-fusion, jazz, psych, funk and mandingo music cocktail sprinkled with Senegalese sabar and tama percussions. The singer and composer is Moussa N’Gom and his music is really singular. I also love the psychedelic cover. [Source]




Guelewars

John Lennon – Watching the Wheels (1981)

“Watching the Wheels” is a single by John Lennon released posthumously in 1981 after his murder. The B-side features Yoko Ono’s “Yes, I’m Your Angel.” It was the third and final single released from Lennon and Ono’s album Double Fantasy album, and reached number 10 in the US and number 30 in the UK. In “Watching the Wheels” Lennon addresses those who were confounded by his “househusband” years, 1975–1980. During this period, he “retired” from the music industry to concentrate on raising his son Sean with Ono. The acoustic demo of “Watching the Wheels” is featured in the ending credits to the 2009 film Funny People. The song features a hammered dulcimer accompanying the lead piano. The photograph on the cover was taken by Paul Goresh, a fan of Lennon who also took the infamous photo of Lennon signing a copy of Double Fantasy for his killer, Mark David Chapman. Both photos were taken at the same place, in front of the Dakota building, which was the site of his 1980 shooting. Later, Chapman was recorded in police custody reciting the line “People say I’m crazy” from the song.




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Written by: Lennon
Recorded: 6 August-13 October 1980
Producers: John Lennon, Yoko Ono, Jack Douglas

Album Released: 17 November 1980
Single Released: 13 March 1981 (US); 27 March 1981 (UK)

John Lennon: vocals, keyboards
Earl Slick, Hugh McCracken: electric guitar
Tony Levin: bass guitar
George Small: keyboards
Michelle Simpson, Cassandra Wooten, Cheryl Mason Jacks, Eric Troyer: backing vocals
Andy Newmark: drums
Matthew Cunningham: hammer dulcimer
Arthur Jenkins: percussion

Available on:

  • Double Fantasy
  • Power To The People – The Hits
  • John Lennon Anthology
  • Acoustic

[Source]

Hüsker Dü – Diane (1983)

The intense, but varied Metal Circus EP/mini-album was released in 1983. Hüsker Dü’s more melodic take on hardcore struck a chord with college students, and various tracks from Metal Circus, particularly Hart’s “Diane,” were put into rotation by dozens of campus radio stations across the U.S. In addition, on Metal Circus the band showed more invention, skill, and melody than it did over the course of their previous full album Everything Falls Apart.




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Hey little girl, do you need a ride?
Well, I’ve got room in my wagon, why don’t you hop inside
We could cruise down Robert Street all night long
But I think I’ll just rape you and kill you instead

Diane, Diane, Diane
Diane, Diane, Diane
Diane, Diane, Diane
Diane, Diane, Diane

I heard there’s a party down at Lake Cove
It would be so much easier if I drove
We could check it out, we could go and see
Oh, won’t you come and take a ride with me?

Diane, Diane, Diane
Diane, Diane, Diane
Diane, Diane, Diane
Diane

We could lay in the weeds for a little while
I’ll put your clothes in a nice, neat little pile
You’re the cutest girl I’ve ever seen in my life
Now, louder now and with my knife

Diane, Diane, Diane
Diane, Diane, Diane
Diane, Diane, Diane
Diane